Irmgard Seefrid, Richard Holm, Kim Borg made "The Creation {Excerpt} : Recitative" available on October 1, 2012. With this song being around four minutes long, at 4:21, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 35 out of 62 in Classical... the Best of Bach, Beethoven, Brahms, Chopin, Handel, Haydn, Mozart, Schubert, Tchaikovsky, Verdi Vol. 5 by Various Artists. In terms of popularity, The Creation {Excerpt} : Recitative is currently unknown. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
The tempo marking of The Creation {Excerpt} : Recitative by Irmgard Seefrid, Richard Holm, Kim Borg is Andante (at a walking pace), since this song has a tempo of 101 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
The Magic Flute, K. 620: Act II, No. 18. Chor der Priester: "O, Isis und Osiris, welche Wonne!" | Rundfunkorchester des Südwestfunks Baden-Baden | D Major | 0 | 10B | 134 BPM | ||
Così fan tutte, K. 588: Act 1: Recitativo "Non Pianger" - Duettino Guglielmo, Ferrando "Al Fato Dàn Legge" - Recitativo "La Commedia È Graziosa" | Wolfgang Amadeus Mozart, Concerto Köln, Véronique Gens, Marcel Boone, Pietro Spagnoli, Werner Güra, Bernarda Fink, René Jacobs | B♭ Major | 1 | 6B | 99 BPM | ||
Missa in angustiis "Nelson Mass", Hob. XXII:11 in D minor: Sanctus | Joseph Haydn, Barbara Hendricks, Marjana Lipovsek, Francisco Araiza, Peter Meven, Bavarian Radio Chorus, Bavarian Radio Symphony Orchestra, Sir Colin Davis | D Major | 0 | 10B | 130 BPM | ||
Requiem In D Minor, K.626: 3. Sequentia: Lacrimosa | Wolfgang Amadeus Mozart, Berliner Philharmoniker, Herbert von Karajan, Wolfgang Meyer, Wiener Singverein | D Minor | 1 | 7A | 74 BPM | ||
Mozart: Requiem in D Minor, K. 626: V. Rex tremendae | Wolfgang Amadeus Mozart, Daniel Barenboim, Choeur de l'Orchestre de Paris, Orchestre de Paris | G Major | 2 | 9B | 74 BPM | ||
Mass No. 10 in C Major, Hob. XXII:9, "Missa in tempore belli", "Paukenmesse", "Kriegsmesse": Agnus Dei: Agnus Dei | Joseph Haydn, Ann Hoyt, Kirsten Sollek, Daniel Neer, Richard Lippold, Trinity Church Choir, New York, Rebel Baroque Orchestra, Owen Burdick | G Minor | 2 | 6A | 86 BPM | ||
Requiem: Requiem: V. 4. Coro. Mors stupebit | Johann Christian Bach, RIAS Kammerchor, Akademie für Alte Musik Berlin, Hans-Christoph Rademann | F Minor | 2 | 4A | 113 BPM | ||
Amadis de Gaule, W. G39: Act I Scene VII: Komm zu uns, geniesse Amors Zauber (Chorus of Demons) | Johann Christian Bach, Ulrike Sonntag, Elfie Hobarth, Ibolya Verebics, James Wagner, Wolfgang Schöne, Gächinger Kantorei Stuttgart, Bach-Collegium Stuttgart, Helmuth Rilling | D Major | 1 | 10B | 0 BPM | ||
Kantate für Soli und Orchester, BWV 208: Was mir behagt, ist nur die muntre Jagd | Kolner Kammerorchester, Maria Stader | B♭ Major | 0 | 6B | 65 BPM | ||
Missa Solemnis in D Major, Op. 123: I. Kyrie | Ludwig van Beethoven, Nikolaus Harnoncourt, Concentus Musicus Wien | D Major | 1 | 10B | 77 BPM |